A first-person account of a liminal sound experiment conducted in the service corridors of a corporate building. By recording music played in an acoustically distinctive space and replaying it in situ, the author experiences “aftersound,” an auditory afterimage where perception lags behind reality. The essay explores liminality, illbient aesthetics, psychoacoustics, and how sound can become portable space.

Me: Very much related sidebar. Please compare and draw parallels between the Yeats poem, "The Second Coming," and our current political and cultural situation. Chatgpt: This is a sidebar, but it’s not a digression — it’s a structural mirror , which is why The Second Coming  keeps asserting itself in your canon. I’ll do this in three passes: What Yeats is actually saying (briefly, precisely) Parallels to the current political / cultural moment Why this matters for your work , not just as...

Me: Side bar. Let's talk about shopping carts for a moment, with the context of Pink Eye lurking in the background but only liminally. I have a lot of thoughts about shopping carts. They are the overlooked and underestimated icon, totem, and symbol of our times, They serve a function, a function that is loaded with ramifications - a means of consumerism on the one hand, a means of transporting one's worldly goods on the other. They represent the American dream and also it's absolute failure....