Please visit my online store, Lazy River Design Works
This endeavour is already in progress.
Built on Breaks - Negotiating Systems - Charting the Territory
RECURSION
INCONGRUITY
PRESSURE
The Key
Pink Eye is a multidisciplinary project combining music, visual systems, and writing. It produces music, images, and video using generative AI, treating these as raw material shaped into a coherent framework. This framework provides structure for the Territory, Pink Eye’s conceptual homeland.
​
From the beginning, Pink Eye builds on a foundation of breaks-driven music, where rhythm provides the point of entry. From there, the work expands into a broader framework for exploring how perception, meaning, and structure interact across different contexts.
​
The project is organized as a territory rather than a single narrative. It moves between distinct but connected provinces, including Noir, Liminal, Insight, and Anchor, each describing different moods, styles, and themes. Additional layers sit across this map, offering other ways of encountering and interpreting the system.
​
Across the structure, a common pattern emerges that has driven Pink Eye’s extended work with the Liminal. Expectations form, resolution is approached, and something fails to fully settle. Sometimes nothing arrives. Sometimes everything does. Sometimes the source cannot be located.
Pink Eye does not resolve these conditions. It makes them visible, and works within them.
​
A series of blog posts on this site provide additional information and can be found here. The entire Pink Eye catalog can be found on YouTube.
CURRENT CANON
Just Let Me Get My Nails In There
The Current Canon marks the project as it stands. These works are not fixed or complete, but they hold, and they sparked everything that came after. They offer a way in. To understand Pink Eye, start here. The rest of the Territory unfolds from them.
Artist Statement
Pink Eye began with music, but not as a destination.
​
The breaks came first. Not just as rhythm, but as interruption. Something that catches attention, holds it briefly, then releases it back into motion. Over time, that same pattern began to appear elsewhere.
​
In images. In language. In systems that seemed stable until they weren’t.
​
The work is organized as a territory made up of distinct but connected provinces.
​
Noir appears as memory and residue. Liminal appears where expectation fails to resolve, through absence, excess, or instability. Insight offers moments where structure becomes briefly visible. Anchor is where repetition settles into pattern, and pattern into rhythm.
​
These provinces are not fixed. They overlap, and movement between them is continuous. To make this structure legible, the Territory is mapped.
The maps function as tools for navigation and comprehension. They show how different modes relate to one another, and how movement occurs across the system. Position is not fixed, and no single path is required, but the underlying structure holds.
​
They do not replace the work. They provide a way to read it.
​
Across the Territory, a common pattern emerges: Expectations form. Resolution is approached. Something fails to fully settle.
​
Sometimes nothing arrives.
Sometimes everything does.
Sometimes the source cannot be located.
​
This condition appears in different contexts. In physical environments. In consumer systems. In institutional settings where decisions are made without clear origin. In interactions with simulated actors. In AI-generated media. Each produces its own variation, but the underlying imbalance remains.
​
Pink Eye does not resolve these conditions. It works within them, using music, images, and structure to make them visible and to hold them in place long enough to be recognized.
​
MEDIA PORTAL
LIMINAL
NOIR
INSIGHT
ANCHOR
THE LIMINAL INTERNET
Sifting Embers
Happy Now? - Liminal Cycle
PROJECTS
The Liminal Internet
The Liminal Internet is a multimedia project - essay, music, and video - examining a condition that is increasingly difficult to ignore and surprisingly hard to name.
​
The internet has not simply changed how we communicate. It has changed the texture of what communication feels like. Bots generate traffic. AI agents perform tasks and hold conversations. Corporate language circulates on its own momentum. Images, voices, and identities can be convincingly manufactured. The structures of human exchange remain intact. The human presence behind them is increasingly uncertain.
​
This is not a new phenomenon. It has a mechanism, and that mechanism has always operated - in empty buildings, in bureaucratic systems, in the gap between what we expect and what actually arrives. What the internet has done is industrialize it, scaling the condition to a frequency and pervasiveness that the physical world never produced.
​
The project presents this argument through a long-form essay tracing the mechanism from its most familiar physical forms to its acute contemporary expression online. A music suite - Hope This Finds You Well - demonstrates the condition through five genre treatments of the same corporate language, and a domain matrix mapping the Liminal condition across six areas of human experience has been devised.
​
The essay and music are available here in a 7 page version. A Producer's Summary is available here.
The Liminal Internet - Thesis Statement
The liminal is not an aesthetic or a place. It is a mechanism rooted in the basic processing of reality — the gap that opens when the brain is trying to decide which narrative fits. This mechanism operates across worlds. We recognize it most easily in the physical world, where it has been photographed, theorized, and aestheticized. But the same mechanism is at work in the digital world, and the particular conditions of the internet — engineered personalities, reality forgeries, manufactured desire, systems without agents — have made it not merely present but acute, pervasive, and largely unnamed. The digital world has not discovered the liminal. It has industrialized it — and in doing so, has raised the general sensitivity to its presence everywhere, including in the physical world where we thought we already knew it. This essay names the mechanism, maps its manifestations, and demonstrates one of them.