Please visit my online store, Lazy River Design Works
This endeavour is already in progress.
Built on Breaks - Negotiating Systems - Charting the Territory
RECURSION
INCONGRUITY
PRESSURE
The Key
Pink Eye is a multidisciplinary project combining music, visual systems, and writing. It produces music, images, and video using generative AI, treating these as raw material shaped into a coherent framework. This framework provides structure for the Territory, Pink Eye’s conceptual homeland.
​
From the beginning, Pink Eye builds on a foundation of breaks-driven music, where rhythm provides the point of entry. From there, the work expands into a broader framework for exploring how perception, meaning, and structure interact across different contexts.
​
The project is organized as a territory rather than a single narrative. It moves between distinct but connected provinces, including Noir, Liminal, Insight, and Anchor, each describing different moods, styles, and themes. Additional layers sit across this map, offering other ways of encountering and interpreting the system.
​
Across the structure, a common pattern emerges that has driven Pink Eye’s extended work with the Liminal. Expectations form, resolution is approached, and something fails to fully settle. Sometimes nothing arrives. Sometimes everything does. Sometimes the source cannot be located.
Pink Eye does not resolve these conditions. It makes them visible, and works within them.
​
A series of blog posts on this site provide additional information and can be found here. The entire Pink Eye catalog can be found on YouTube.
CURRENT CANON
Just Let Me Get My Nails In There
The Current Canon marks the project as it stands. These works are not fixed or complete, but they hold, and they sparked everything that came after. They offer a way in. To understand Pink Eye, start here. The rest of the Territory unfolds from them.
Artist Statement
Pink Eye is a breaks-driven music project that has expanded into visual work and writing. The breaks matter - not just as rhythm but as interruption, the moment when a pattern stops and something becomes briefly visible that wasn't before. That interruption is the project's organizing principle.
​
The work is mapped onto a Territory with four provinces: Noir (memory, residue, urban night), Liminal (unresolved expectation, the moment something feels wrong before you know why), Insight (clarity, structure briefly visible), and Anchor (rhythm, repetition, groove). The maps are navigational tools, not decoration. The work happens at the borders between provinces, not in their centers.
​
The project is built around a specific condition - the gap that opens when the brain is struggling with competing narratives. That gap shows up everywhere: in empty spaces designed for people, in systems that process you without anyone apparently being home, in media that has the form of human authorship without the human. Pink Eye doesn't resolve that condition. It names it, maps it, and works within it.
​
The music is made using Suno, the images with Midjourney, and the conceptual and written work in collaboration with Claude and ChatGPT. The tools are part of the argument - the project examines AI-produced liminality from inside the territory it describes.
MEDIA PORTAL
LIMINAL
NOIR
INSIGHT
ANCHOR
THE LIMINAL INTERNET
Sifting Embers
Happy Now? - Liminal Cycle
PROJECTS
The Liminal Internet
The Liminal Internet is a multimedia project - essay, music, and video - examining a condition that is increasingly difficult to ignore and surprisingly hard to name.
​
The internet has not simply changed how we communicate. It has changed the texture of what communication feels like. Bots generate traffic. AI agents perform tasks and hold conversations. Corporate language circulates on its own momentum. Images, voices, and identities can be convincingly manufactured. The structures of human exchange remain intact. The human presence behind them is increasingly uncertain.
​
This is not a new phenomenon. It has a mechanism, and that mechanism has always operated - in empty buildings, in bureaucratic systems, in the gap between what we expect and what actually arrives. What the internet has done is industrialize it, scaling the condition to a frequency and pervasiveness that the physical world never produced.
​
The project presents this argument through a long-form essay tracing the mechanism from its most familiar physical forms to its acute contemporary expression online. A music suite - Hope This Finds You Well - demonstrates the condition through five genre treatments of the same corporate language, and a domain matrix mapping the Liminal condition across six areas of human experience has been devised.
​
The essay and music are available here in a 7 page version. A Producer's Summary is available here.
The Liminal Internet - Thesis Statement
The liminal is not an aesthetic or a place. It is a mechanism rooted in the basic processing of reality — the gap that opens when the brain is trying to decide which narrative fits. This mechanism operates across worlds. We recognize it most easily in the physical world, where it has been photographed, theorized, and aestheticized. But the same mechanism is at work in the digital world, and the particular conditions of the internet — engineered personalities, reality forgeries, manufactured desire, systems without agents — have made it not merely present but acute, pervasive, and largely unnamed. The digital world has not discovered the liminal. It has industrialized it — and in doing so, has raised the general sensitivity to its presence everywhere, including in the physical world where we thought we already knew it. This essay names the mechanism, maps its manifestations, and demonstrates one of them.
MERCH
Before Pink Eye, there was the Lazy River, my online dropship/print-on-demand store. It's still available, although now that my focus has shifted to Pink Eye there will be a growing number of merch options for the project for sale there.
​
"Them's the Breaks" is the first official t-shirt for Pink Eye. It's printed on the Gildan 5000, a medium-weight all-cotton tee that bears up well over repeated washings. The print is DTG (Direct to Garment), meaning the ink is applied to the fabric for better penetration and adhesion.
​
It comes in 7 colours, in sizes S to 5XL. Only available in Canada.
​